Friday, 2 May 2014

Past paper example answers.

The following are example answers for question 1a and question 2 with levels and comments. The levels equate to the grades (low) A for question 1a, and (middle) B for question 2.

Read through these answers then draw up your own essay plans for each question using examples of your own work for question 1a and using examples from TV and Film for question 2 instead of Music and News media. Obviously I'm expecting examples from the case studies we have discussed. To remind yourself, go through past posts on this and your own G325 blogs.

Any questions, email me.


Question 1a: Explain how your research and planning skills developed over time and contributed to your media production outcomes. Refer to a range of examples in your answer.

1 (a) As John W Cresswell stated: ‘Research is a way of progressing and planning before producing the final outcome.’ I developed a wide variety of different skills within research and planning which helped to have a good transition between my Foundation Portfolio and my Advanced Portfolio.

During my Foundation Portfolio (AS) work, I had to produce a music magazine. Before this I conducted my research and planning. I started by doing a semiotic analysis of previous and existing music videos which linked into my proposed choice of genre: Indie. I did this through primary research. By looking at magazines such as: Uncut and Mojo, it allowed me to learn some of the codes and conventions used to make a successful music magazine. Codes and conventions such as large masthead, large central images, left hand third and many puffs and buzz words. By analysing these codes and conventions it allowed me to have an idea and plan how I can use different puffs and buzz words and a large central image to affect in my music magazine.

I then conducted quantitative and qualitative research. This allowed me to conduct interviews and questionnaires (quantitative) to people who are interested in Indie music magazines and find out what they like and don’t like about them. This gave me an indication as to what to feature in the magazine and how I could put the information I found out to full affect. This linked in well to my qualitative research, where I conducted a survey. I used a website called ‘Survey Monkey’. This enabled me to conduct a survey and ask people certain information and what people prefer in magazines. There were however, some implications to this as Survey Monkey only offered a 14 day trial and it was a hard to gather all the information and get people to do the survey within the 14 days. Next time, I would probably advertise the link to the survey through Facebook and Twitter, so more people could do my survey.

From all my research gathered it enabled me to start planning. I firstly did a prelim task, using Microsoft PhotoDraw. I created a basic magazine combining the different codes and conventions I researched (masthead, images, buzz words). This allowed me to get an idea on how to create a magazine whilst using some of the research I conducted. However, Microsoft PhotoDraw is a basic software and didn’t allow me to produce a more sleek prelim task as it made the imagery ‘boxy’ and text functions were limited. I then planned for my final piece by creating a flat planning sheet. This enabled me to have each section of my magazine separate and tie in all my research onto the flat planning sheet. So when it came around to creating my music magazine all my planning sheets were available and I had a good idea on what to put into my magazine.

I made good progression between AS and A2 by conducting research. In AS I had an idea on how to conduct primary research and break down existing products. I knew the implications of Survey Monkey and what I would do differently at A2. This helped to conduct my research and planning in a more fluid, easy flowing way, as I already had ideas on how to conduct research at A2 from the beginning.

During A2 I conducted my research and planning in similar ways to AS. I conducted primary research where I did interviews and questionnaires to find out what people like in certain music videos and what they would want featured. I also conducted secondary research where by I analysed and research other A2 students’ music videos and blogs. This enabled me to get an idea on small things to include and what type of codes and conventions are used within the same type of video. However, this could have an affect on my planning as I do not know whether the secondary research I conducted is reliable and genuine.

For my A2 planning I already had an idea on what music video I was going to do, so by creating a storyboard for each scene in my video it will allow me to make the video flow better and have an indication as to what camera shots and mise-en-scene is needed in each scene. (I also did this in my research but with an existing music video and I also conducted shooting and location schedules for my planning). Along with this I also created a prelim video whereby I created a movie trailer. I used a basic software in IMovie but it was very good as it enabled me to get to grips with using a camera and how to get the best of a video. I also had an indication on how to crop, add sound and add transitions to my video.
I put my research to affect during my planning. This helped to have an easier transition between AS and A2 and it allowed me to make my A2 production in a quicker and easier manner.

A good start with a clear agenda set out right away. The candidate makes clear what tasks were undertaken for each unit and discusses a range of research methods, referring to both examples and technical terms. There is some reflection on the methods used, indicating what might have been learnt. Some elements of planning are discussed, though this is less developed. The A2 work is glossed over a little, with less reference to specific examples. Overall, there is a sense of structure and development in this response, but it would be better if it were supported by more concrete examples.
High level 3 (20/25)


Media in the online age- how significant has the internet been to media audiences?

8) I believe that the Internet has been very significant to the audiences as it has opened up and created different opportunities to purchase and create new things through music and news concepts.

Within the music industry, the Internet has become more significant for audiences when purchasing or listening to music. This can be proven by the ‘The Long Tail Theory’ devised by Chris Anderson (2006) who stated that more niche music products are becoming available on the Internet to purchase and that niche products will be hard to find in high street stores. In the past, people who wanted to buy music would have to purchase it from high street stores. No online stores were available and only hard copy CDs were available for purchase. This limited people to what music people could buy as not all high street music stores such as HMV would sell niche music products. However, in present day, online stores such as Amazon and ITunes have a wide range of different music artists. An example is ‘Bryn Tegel – We’ll keep a welcome’, a welsh opera singer whose albums can be found to purchase or download on Amazon. He is a niche artist and his albums would only be found in niche music high street stores. As online stores such as Amazon contain a wide variety of music, it is having a detrimental effect on high street stores such as HMV as more people are starting to purchase from the Internet. This has had an affect as HMV (largest high street music store) has now gone into administration due to the lack of sales and lack of demand as more people are buying online. This highlights the fact that the Internet has had a large impact on audiences when purchasing music.

Wikinomics also has an affect on how the Internet has changed audiences’ concepts of the music industry. Wikinomics is a theory devised by Tappscottt and Williams (2006). The theory stated that more people will collaboratively work together whilst also each having their won say (democratization). This theory links in well with the creativity of Web 2.0 as Web 2.0 has allowed people to work together and have their own say through social networking sites and YouTube. In the past, when music was being produced, the band members would all have to be together in one room, producing, editing and recording their music. This was a slow process but the only way as technology didn’t have the functions to send music through peering like it does now. In the present day, through the theory of Wikinomics, it has created different opportunities for people to produce and share music around the world. An example of some one who has done this is ‘Alex Day’, who by using free creativity has been able to produce and film his own music and music video and publish it on YouTube for the world to see through peering. By having these concepts available (free creativity and peering) it has enabled Alex Day to film his music video and through peering send it to his editor via email, who lives in a different part of the UK. This means Alex doesn’t have to be with his editor in the same room to finish his project. Websites such as ‘Outsource.com’ follow a similar concept by allowing niche artists to upload their own music and get feedback from people and how they can improve their music. However some musicians such as Blink 182 prefer to use traditional methods of production when they’re all together in one room as they believe they can produce a more professional piece of work. From the theory of Wikinomics and the creation of Web 2.0 both have had a significant impact on audiences when using the Internet within the music industry. This is down to free creativity, peering, working collaboratively and democratisation as people can now have their own say be creative themselves.

Within the News industry, Wikinomics has also had an affect on how the Internet has become more significant for audiences. In the past, the news would only be broadcast 2-3 times a day, half an hour each time. The daily newspapers would only be available and that was it. However, in the present day the news is broadcast 24 hours a day 7 days a week, all year round. Each news broadcaster has their own channel and website and now even mobile phone apps. The news has become more popular to people and this can be highlighted through the use of the Internet. An example of this is from 2010 when the London Riots took place. An off duty news reporter decided to film with his own mobile phone footage of people stealing from shops and causing mayhem. With the captured footage and through the use of free creativity and peering he decided to upload it onto YouTube and send it to major news corporations through technological convergence. Within hours his footage was being shown all over the UK and within days through the impact of news websites, YouTube and the whole Internet, his footage was being shown worldwide (thinking globally). This highlights the fact that the Internet has had a big impact on audiences. The use of Wikinomics to film the footage of the London Riots also links in well with the theory of Citizen Journalism.

Citizen Journalism is a theory divised by Dan Gillmoor (2004) who stated that more people will start to produce their own news and that news companies will start to rely more on citizen journalists than news given to them by governments. An example of this is the London Riots but more significantly in Syria. When the war first broke out in Syria news corporations were relying on the Syrian government to give them information. However, with the increase in Citizen Journalism people are taking to social network sites such as Twitter to publish their won news on what is happening. The Syrian government don’t like this as news corporations are starting to rely on citizen journalists instead of the information given by themselves. This has led to the Syrian government trying to switch the Internet off and punishing citizen journalists who are caught broadcasting non ‘authorised’ information. This is significant to audiences who use the internet as people can now have a different perspective as to what is really happening in different countries around the world through social networking and citizen journalism. The Guardian has now created a Citizen Journalism section for people to publish their own news (free creativity).

In conclusion I believe that the impact of the Internet has had a massive impact on the way audiences can produce or read things through the music and news industries. Through the theories of the The Long Tail, Wikinomics and Citizen Journalism audiences can now have a different perspective on how music and news is produced and audiences can now officially have their own say. This has become more available as the Internet has grown and will increase even more in the near future.

This answer focuses upon the change in ways of purchasing music through reference to a niche example to illustrate the long tail theory, then expands upon wikinomics with some discussion of the ways in which creative might reach an audience through online presence. Both these ideas are discussed quite well, with concrete examples. The example of changes brought about to news is a bit vaguer (an unnamed reporter), though it does lead into the section on Citizen Journalism. The conclusion draws upon the points made to bring them together. All elements are worthy of solid level 3, but it would undoubtedly be improved by more specific and apposite examples, plus a bit of contrast, as it does seem to be a bit of a ‘one-sided’ answer.

(37/50) 

Wednesday, 8 January 2014

Primewire.ru Case Study

What is Primewire?
Explain what Primewire is and how it works.
When did it launch?
Where is it hosted?
How many page views does it receive?
What is its estimated revenue?

What are the legal implications of Primewire?

Give a brief outline of Richard O’dwyer’s case
Was he found guilty of copyright theft?.. (who by?)
What does this mean for Primewire?
How has the MPAA responded? 
Is this an effective form of regulation?

What impact is it having on the film and TV industries?
UK cinema admissions: http://www.launchingfilms.com/research-databank/ 
2010: 173, 350 468   
2011: 171, 562 193   
2012: 172, 498 774)
What does the evidence suggest about UK cinema admissions?
Explain how piracy is affecting the FILM industry:
Explain how piracy is affecting the TV industry:

Tuesday, 7 January 2014

Some excellent observations from class...

Remember that all of your case study knowledge needs to be framed in terms of how online media:

  • offer opportunities and advantages to institutions and audiences and/or
  • change the way in which institutions work or how audiences engage compared with old media practices.

Kyle said: "The film also has a twitter account which provides live update about information about the film, events and actors involved. Fans can find out information such as if the film recieved any rewards, how many people saw the film and how the actors felt the film actually done"

This is an example of how audiences are engaging with the media differently. Twitter provides a live feed of constantly updating information. Instead of reading a review in a newspaper, audiences can retrieve a wealth of information about the film including reviews from twitter users which will probably be more relevant than a stuffy old film critic.

Jack said: "On the Great Gatsby's home page there are various links to different online apps that can be used to place the audience into the film. One example is placing your own initials in the style of The Great Gatsby's graphics and then having the ability to share this on social networking sites such as twitter, furthermore you can also then take this and download it as a home screen."


This is a great example of both how institutions are taking advantage of online promotion and how audience's expectations of interativity are changing. The form of promotion lends itself to a form of personalised viral marketing, it is designed to be spread among friends on social networking.

Wednesday, 8 May 2013

3 must-read articles for TV in the online age

OK - read these articles, it won't take long.


The Economics of Netflix's $100 million show
HBO to Consider expanding HBO Go Beyond Cable Subscribers
House of Cards: Netflix's experiment in binging pays off

Now read the following and answer these questions in a new blog post:


  1. Describe the business models of these two companies - how do they make money?
  2. How are these business models becoming more similar?
  3. What are some good examples of Netflix and HBO's actions to develop online audiences?
  4. What are some good examples of how audience behaviour is changing in the online age?



In the online age film and TV distribution and exhibition become increasingly blurred.
Already the best in moving image drama has left the big screen and migrated to TV... Mad Men, Boardwalk Empire, The Wire, The Killing, Game of Thrones are all good examples of how TV seems a more natural place for the long story arcs and in-depth character development of drama – compared with the 2-3 hour cinema experience.

The best way of looking at this is through several articles which together represent a useful case study for the exam.

The Economics of Netflix’s $100 million show (House of Cards)


·        The article starts by saying Netflix recently announced (Feb 2013) they were, for the fisrt time, investing in new content. It is important to understand that one of the things that has made Netflix different from TV network broadcasters in the past is that all they have done is make TV and films owned by other organisations available for streaming through their service... customers pay them, and they pay the owners of said content (eg Disney, BBC etc)
·          
·         The next part of the article goes into some serious maths based on US data – what it basically says is that it will take half a million new subscribers to pay for an investment of $100 million – but with over 33 million subscribers currently that is reasonable to expect... especially when you take into consideration the idea that many of HBO’s subscribers pay $7 per month just to receive one or two favourite shows.
·          
·         It goes on to suggest that if Netflix continues with its current business model it would eventually go out of business. This because the cost of the rights to TV and film content is going up – its going up faster than they are finding new subscribers.
·          
·         A good example is that Netflix pays $1million per episode for the streaming rights to AMC’s Mad Men... which can be viewed, recorded and streamed on AMC’s (an American TV channel) normal schedule – so audiences are not so willing to pay another subscription for something they already have.
·          
·         “Exclusivity is king!” – What Netflix is doing in order to draw in new subscribers – remember they need ½ million just to break even on one season of this new show – is create their own super-popular TV drama that customers won’t be able to get on any other channel. In order to get people hooked on it they offered the first episode to non-subscribers.

HBO to Consider Expanding HBO Go beyond cable subscribers
·         This article, published 21 March 2013, describes HBO’s recent announcement that its online service HBO Go might open up to everyone, rather than those who have already paid for the cable channel.
·          
·         The article goes on to say HBO Go is accessible from various portable devices (iPhones, iPads etc) but at the moment only to the cable subscribers.
·          
·         It is then suggested that HBO Go – as an online only subscription service – costing less than the full cable TV subscription may encourage audiences away from illegal downloading and into cost-effective (and fully legal) streaming of content.
·          
·         The example they give is Game of Thrones – which is currently the most pirated TV show in the world... in 2012  the season 2 finale achieved 4.2 million viewers on the cable TV broadcast. But each episode was also downloaded on average 4.28 million times. More people were viewing the show through unpaid downloads via bit Torrent etc than paying subscribers.

House of Cards: Netflix's experiment in binging pays off


·       The main point of this article is to discuss Netflix’s strategy of releasing all 13 episodes of House of Cards at once.... A TV channel would draw it out over 13 weeks.
·          
·       What’s interesting is that this highlights an important change in viewing habits of audiences called ‘binge viewing’. It’s not that new – been around since DVD box sets. Normal TV wisdom states that it is better to have a week in between each new episode to allow audience discussion and hype via the social networks... but Netflix chose not to do this.
·          
·       Here’s an example: “figures suggest a significant portion of fans “binged” on the entire series in the first weekend it was available.” – in other words they watched all 13 episodes in one weekend.

What can we summarise from these 3 articles?...


Streaming services such as Netflix started out strong, but now have rising costs for content and need to change their business model to compete.

Investment in good original content will bring profits, but must remain exclusive to the service in order to keep subscription numbers up.

HBO must diversify to meet with the demands of an audience who are used to web-only cheap or free services and to try to combat piracy.

Ultimately Netflix is becoming a bit more like HBO and HBO is becoming a bit more like Netflix.

Viewing habits of audiences are changing. Not only from ‘time-shifting’ – watching things when you want to instead of when they are scheduled – but also in terms of binge-viewing.

Making all 13 episodes available at once catered for the binge-viewers but alienated those who like to discuss developments online.

TV in the Online Age: iPlayer

Read this (very short and easy to read) article and start a BBC iPlayer case study by answering these questions:


  • How long has BBC iPlayer been going?
  • Describe typical audience behaviours in a pre-internet age
  • Describe what iPlayer allows audiences to do.
  • Discuss iPlayer’s success in increasing the number of platforms it can be viewed from (PS3, Wii, iPhone, Android etc)
  • What is the statistical break-down of how iPlayer is viewed?
  • What is the fastest growing platform for the iPlayer
  • What might be future developments for iPlayer?

Thursday, 25 April 2013

Cinema attendance in the online age

Task:

Go to this blog page - http://www.economicshelp.org/blog/6693/business/cinema-attendance-in-uk/

and answer the following questions:


1.Why was cinema attendance so low in the 1980s?
2.In your own words... Why have cinema ticket sales grown since 1984?
3.In 2006 DVD market share was 56% - Google DVD market share and find out what it represents now and in the future.
4.What is the current cinema turnover?
5.Draw a conclusion – how would you describe audience behaviour as a result of online technologies?

Wednesday, 27 March 2013

Example Essay Point

Here's the example point we did in class, remeber - PEE! (Point, Example, Explain)



(Point)
The internet offers a number of opportunities for media producers.
(Example)
For example the film This is 40 has its own website on which audiences can view the trailer. The trailer is hosted on Youtube and embedded to the website. Underneath the embedded trailer is a link allowing audiences to share the trailer along with links to Facebook and Twitter.
(Explain)
Promoting a film via a trailer at the cinema or on TV will cost the producer a substantial fee, whereas publishing the trailer via Youtube is free. Furthermore the producer is taking advantage of social networks by offering audiences the opportunity to both ‘like’ and share the trailer, thereby finding a wider but more targeted audience.


Now use this formula to write your own essay paragraph.