Wednesday, 8 January 2014

Primewire.ru Case Study

What is Primewire?
Explain what Primewire is and how it works.
When did it launch?
Where is it hosted?
How many page views does it receive?
What is its estimated revenue?

What are the legal implications of Primewire?

Give a brief outline of Richard O’dwyer’s case
Was he found guilty of copyright theft?.. (who by?)
What does this mean for Primewire?
How has the MPAA responded? 
Is this an effective form of regulation?

What impact is it having on the film and TV industries?
UK cinema admissions: http://www.launchingfilms.com/research-databank/ 
2010: 173, 350 468   
2011: 171, 562 193   
2012: 172, 498 774)
What does the evidence suggest about UK cinema admissions?
Explain how piracy is affecting the FILM industry:
Explain how piracy is affecting the TV industry:

Tuesday, 7 January 2014

Some excellent observations from class...

Remember that all of your case study knowledge needs to be framed in terms of how online media:

  • offer opportunities and advantages to institutions and audiences and/or
  • change the way in which institutions work or how audiences engage compared with old media practices.

Kyle said: "The film also has a twitter account which provides live update about information about the film, events and actors involved. Fans can find out information such as if the film recieved any rewards, how many people saw the film and how the actors felt the film actually done"

This is an example of how audiences are engaging with the media differently. Twitter provides a live feed of constantly updating information. Instead of reading a review in a newspaper, audiences can retrieve a wealth of information about the film including reviews from twitter users which will probably be more relevant than a stuffy old film critic.

Jack said: "On the Great Gatsby's home page there are various links to different online apps that can be used to place the audience into the film. One example is placing your own initials in the style of The Great Gatsby's graphics and then having the ability to share this on social networking sites such as twitter, furthermore you can also then take this and download it as a home screen."


This is a great example of both how institutions are taking advantage of online promotion and how audience's expectations of interativity are changing. The form of promotion lends itself to a form of personalised viral marketing, it is designed to be spread among friends on social networking.

Wednesday, 8 May 2013

3 must-read articles for TV in the online age

OK - read these articles, it won't take long.


The Economics of Netflix's $100 million show
HBO to Consider expanding HBO Go Beyond Cable Subscribers
House of Cards: Netflix's experiment in binging pays off

Now read the following and answer these questions in a new blog post:


  1. Describe the business models of these two companies - how do they make money?
  2. How are these business models becoming more similar?
  3. What are some good examples of Netflix and HBO's actions to develop online audiences?
  4. What are some good examples of how audience behaviour is changing in the online age?



In the online age film and TV distribution and exhibition become increasingly blurred.
Already the best in moving image drama has left the big screen and migrated to TV... Mad Men, Boardwalk Empire, The Wire, The Killing, Game of Thrones are all good examples of how TV seems a more natural place for the long story arcs and in-depth character development of drama – compared with the 2-3 hour cinema experience.

The best way of looking at this is through several articles which together represent a useful case study for the exam.

The Economics of Netflix’s $100 million show (House of Cards)


·        The article starts by saying Netflix recently announced (Feb 2013) they were, for the fisrt time, investing in new content. It is important to understand that one of the things that has made Netflix different from TV network broadcasters in the past is that all they have done is make TV and films owned by other organisations available for streaming through their service... customers pay them, and they pay the owners of said content (eg Disney, BBC etc)
·          
·         The next part of the article goes into some serious maths based on US data – what it basically says is that it will take half a million new subscribers to pay for an investment of $100 million – but with over 33 million subscribers currently that is reasonable to expect... especially when you take into consideration the idea that many of HBO’s subscribers pay $7 per month just to receive one or two favourite shows.
·          
·         It goes on to suggest that if Netflix continues with its current business model it would eventually go out of business. This because the cost of the rights to TV and film content is going up – its going up faster than they are finding new subscribers.
·          
·         A good example is that Netflix pays $1million per episode for the streaming rights to AMC’s Mad Men... which can be viewed, recorded and streamed on AMC’s (an American TV channel) normal schedule – so audiences are not so willing to pay another subscription for something they already have.
·          
·         “Exclusivity is king!” – What Netflix is doing in order to draw in new subscribers – remember they need ½ million just to break even on one season of this new show – is create their own super-popular TV drama that customers won’t be able to get on any other channel. In order to get people hooked on it they offered the first episode to non-subscribers.

HBO to Consider Expanding HBO Go beyond cable subscribers
·         This article, published 21 March 2013, describes HBO’s recent announcement that its online service HBO Go might open up to everyone, rather than those who have already paid for the cable channel.
·          
·         The article goes on to say HBO Go is accessible from various portable devices (iPhones, iPads etc) but at the moment only to the cable subscribers.
·          
·         It is then suggested that HBO Go – as an online only subscription service – costing less than the full cable TV subscription may encourage audiences away from illegal downloading and into cost-effective (and fully legal) streaming of content.
·          
·         The example they give is Game of Thrones – which is currently the most pirated TV show in the world... in 2012  the season 2 finale achieved 4.2 million viewers on the cable TV broadcast. But each episode was also downloaded on average 4.28 million times. More people were viewing the show through unpaid downloads via bit Torrent etc than paying subscribers.

House of Cards: Netflix's experiment in binging pays off


·       The main point of this article is to discuss Netflix’s strategy of releasing all 13 episodes of House of Cards at once.... A TV channel would draw it out over 13 weeks.
·          
·       What’s interesting is that this highlights an important change in viewing habits of audiences called ‘binge viewing’. It’s not that new – been around since DVD box sets. Normal TV wisdom states that it is better to have a week in between each new episode to allow audience discussion and hype via the social networks... but Netflix chose not to do this.
·          
·       Here’s an example: “figures suggest a significant portion of fans “binged” on the entire series in the first weekend it was available.” – in other words they watched all 13 episodes in one weekend.

What can we summarise from these 3 articles?...


Streaming services such as Netflix started out strong, but now have rising costs for content and need to change their business model to compete.

Investment in good original content will bring profits, but must remain exclusive to the service in order to keep subscription numbers up.

HBO must diversify to meet with the demands of an audience who are used to web-only cheap or free services and to try to combat piracy.

Ultimately Netflix is becoming a bit more like HBO and HBO is becoming a bit more like Netflix.

Viewing habits of audiences are changing. Not only from ‘time-shifting’ – watching things when you want to instead of when they are scheduled – but also in terms of binge-viewing.

Making all 13 episodes available at once catered for the binge-viewers but alienated those who like to discuss developments online.

TV in the Online Age: iPlayer

Read this (very short and easy to read) article and start a BBC iPlayer case study by answering these questions:


  • How long has BBC iPlayer been going?
  • Describe typical audience behaviours in a pre-internet age
  • Describe what iPlayer allows audiences to do.
  • Discuss iPlayer’s success in increasing the number of platforms it can be viewed from (PS3, Wii, iPhone, Android etc)
  • What is the statistical break-down of how iPlayer is viewed?
  • What is the fastest growing platform for the iPlayer
  • What might be future developments for iPlayer?

Thursday, 25 April 2013

Cinema attendance in the online age

Task:

Go to this blog page - http://www.economicshelp.org/blog/6693/business/cinema-attendance-in-uk/

and answer the following questions:


1.Why was cinema attendance so low in the 1980s?
2.In your own words... Why have cinema ticket sales grown since 1984?
3.In 2006 DVD market share was 56% - Google DVD market share and find out what it represents now and in the future.
4.What is the current cinema turnover?
5.Draw a conclusion – how would you describe audience behaviour as a result of online technologies?

Wednesday, 27 March 2013

Example Essay Point

Here's the example point we did in class, remeber - PEE! (Point, Example, Explain)



(Point)
The internet offers a number of opportunities for media producers.
(Example)
For example the film This is 40 has its own website on which audiences can view the trailer. The trailer is hosted on Youtube and embedded to the website. Underneath the embedded trailer is a link allowing audiences to share the trailer along with links to Facebook and Twitter.
(Explain)
Promoting a film via a trailer at the cinema or on TV will cost the producer a substantial fee, whereas publishing the trailer via Youtube is free. Furthermore the producer is taking advantage of social networks by offering audiences the opportunity to both ‘like’ and share the trailer, thereby finding a wider but more targeted audience.


Now use this formula to write your own essay paragraph.

Online Age - Past Paper Questions


Jan 2011
1. "The impact of the internet is revolutionary", discuss
2. Discuss the extent to which the distribution and consumption of media have been
transformed by the internet.

June 2010
1. “For media audiences the internet has changed everything” discuss
2. Explain the extent to which online media exists alongside older methods of distribution in
2010.

Jan 2011
1. “The impact of the internet on the media is exaggerated”, discuss
2. Evaluate the opportunities and threats offered to media producers by the internet

June 2011
1. “This is the age of the prosumer – where the consumer becomes the producer”, discuss.
2. Discuss the extent to which the behaviour of media audiences has been transformed by the
internet.

Jan 2012
1. The online age has led to competing theories of cultural change. Which do you consider the
most relevant to the media and why?
2. Evaluate the ways in which media audiences have benefited from online media

June 2012
1. “The online age has significantly changed consumer behaviour and audience reception
compared with the offline age”, discuss
2. Evaluate the ways in which media producers have taken advantage of convergence.